Friday, May 27, 2022

Inside Broadway Theater Review: ‘Freedom Riders: The Civil Rights Musical’

*“We don’t serve your kind here, nigger” is the explosive opening line of the New York Musical Festival and Richard Allen Enterprises presentation of “Freedom Riders: The Civil Rights Musical,” which is playing at the The Acorn Theatre on Theatre Row in New York City. These words lead John Lewis, played by Anthony Chatmon II, to decide that he is willing to die for the cause of civil rights, and the musical follows his courageous journey through agitation, civil unrest and the founding of a movement that turned the tide for America’s survival.

The cast of FREEDOM RIDERS – Photo Credit: Mia Winston

Lewis’ cause attracts some of the most iconic civil rights figures of the 1960s; including Martin Luther King, Jr. (Guy Lockard), Ralph Abernathy (Brandon Michael Nase), Stokely Carmichael (Nygel D. Robinson), John Siegenthaler (Ciarán McCarthy), Robert F. Kennedy (Barry Anderson), and the original 13 Freedom Riders of the Congress Of Racial Equality (CORE).

The musical features a cast of powerful performers who sing, dance, and shout the struggle, commitment, sacrifice, and victory in a story tracing the steps of activists who boldly challenge the injustice of the Jim Crow South by riding buses in mixed groups armed with legal knowledge and nonviolent training to make a change. The cast includes Michael Nigro, Scott Redmond, Joy Yandell, Toni Elizabeth White and Don Rey who sing with soul and heart. There are no small parts in this musical. Each singer projected immense power when it is their time to shine.

The cast of FREEDOM RIDERS — Photo Credit: Mia Winston

From scene one at CORE Headquarters, where the nonviolent movement starts to organize, the cast belts out their commitment by singing “Ride to Glory” to a rapt audience who was awestruck by the power, persona, and harmony presented on the stage. The dynamic energy gaining strength, courage, and determination throughout this musical was Diane Nash played by Brynn Williams. She was captivating, singing with a pure, sweet, soprano voice that rocked, rolled, and often sweetened the atmosphere with the power to bring you to tears. Just as the real Diane Nash was an integral part of the organization of this movement, Brynn Williams brings a beauty, innocence, and integrity to her portrayal.

Brynn Williams and the cast of FREEDOM RIDERS — Photo Credit: Mia Winston

Act one moves fast, but with depth, as Lewis is faced with the reality of his mission. Chatman sings the role with a beautiful tenor, the compassion in his eyes as he asks himself, “Is this really who I am?” He answers with every scene, reaching for inspiration with the song, “Mama Always Said,” and reminding Diane Nash of how significant she is to him by singing “You Are the Wind.”

The story moves from the halls of Washington, D.C.’s Department of Justice, through bus terminals in Virginia; Rock Hill, South Carolina; and Montgomery, Alabama, then on to Bull Connors home in Birmingham, passing through the Southern Christian Leadership Conference (SCLC) gathering in New York City; back south to New Orleans; and finally to the First Baptist Church of Nashville, Tennessee. All the while, the volunteers sing songs of encouragement like “Tell Them Something,” “We’ll Get There,” and the joyful, victorious “Freedom Song,” that will have audiences rising to their feet.

Brynn Williams and the cast of FREEDOM RIDERS — Photo Credit: Mia Winston

Act Two opens with gospel fervor as the cast sings “Come Down to the River” asking anyone who will stand for justice to come, and get their spirit renewed.

The range and spirit of the music for this production is due to the talent of Taran Gray (music, lyrics), a songwriter and music producer who has worked with artists across multiple labels including Epic, Motown, Atlantic, Universal, and Interscope. Each song tells a story in musical theater style, yet addressed a culture of gospel and R&B orientation that took the show to another level.

Guy Lockard and Barry Anderson — Photo Credit: Mia Winston

“Freedom Riders: The Civil Rights Musical” is the story of civil rights icon Congressman John Lewis, who walks with a humble spirit and a grand vision for generations to save the soul of America. Some may say that everyone knows the civil rights story, but writer and producer Richard Allen has written a stage piece that doesn’t just re-tell history but reminds us of its relevance today.

In 2016, “Freedom Riders” won the New York Musical Festival (NYMF) Inaugural Beta Award for workshop productions; it returned to the festival for a second year as a full production. Nominated in various categories, “Freedom Riders” is the winner of the 2017 New York Musical Festival’s (NYMF) Award for Outstanding Music and nominees Richard Allen and Taran Gray also received Special Citations for the musical’s social relevance and impact.

Anthony Chatmon II, Scott Redmond, and Nygel Deville — Photo Credit: Mia Winston

This is a musical that will gain support and applause wherever it travels. It has all the elements to foster its longevity: an inspiring story, amazing music with transforming lyrics, a brilliant cast, and great musicianship (this production showcases conductor and keyboardist Stephen Cuevas, drummer Tristan Marzeski, and bassist Corey Schutzer).

At a time when many Americans fear that the gains of the civil rights movement will be lost, “Freedom Riders: The Civil Rights Musical” brings back the passion, commitment, pain and victory of the ‘60s. It made me ask myself the question, would I get on the bus? After attending a performance of such magnitude, my spirit gave a resounding, Yes.

Gwendolyn Quinn
Gwendolyn Quinn is an award-winning media consultant with a career spanning over 25 years. She is the founder and creator of the African American Public Relations Collective (AAPRC) and the Global Communicator. Her weekly columns, “Inside Broadway,” “The Living Legends Series,” and “My Person of the Week” are published with She is also a contributor to, BE Pulse (via and the Huffington Post. Quinn is also a contributor to "Souls Revealed" and "Handle Your Entertainment Business." She is the curator of The Living Legends Foundation’s “The State of Black Music and Beyond” essay series published on the Huffington Post. Contact her at [email protected]



  1. I saw the show and I totally agree with your well written review.. Hope it will be seen by many in the future. The music was exhilerating, inspiring, and wonderfully performed by these amazing young professional voices. The story is indeed relevant for our times.

  2. I was privileged to see the show twice. It is a powerful message that is so relevant today. With racial division and tensions high, each one of us, like each character, must choose how/ what we can do to transform division into unity, anger, bitterness and resentment into reconciliation and respect. How do we get On the Bus today is the question. How can I make a difference ? This musical is powerful and will make a difference as it travels the country. The actors and musicians were fabulous!

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