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The Staple Singers’ ‘Come Go With Me: The Stax Collection’ Available As 7-CD box set

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*Los Angeles, CA — Craft Recordings is thrilled to announce a deluxe CD edition of Come Go With Me: The Stax Collection.

The acclaimed box set, which was previously released on vinyl digital formats, celebrates one of music’s greatest gospel and soul groups, The Staple Singers. Available for pre-order today, and set for a November 13th release, Come Go With Me presents all of the group’s studio albums released on the iconic Memphis label, spanning 1968–1974, and features the Staples’ biggest hits, including “I’ll Take You There,” “Respect Yourself” and “If You’re Ready (Come Go with Me).”

Each album was remastered from the original analog masters by Jeff Powell at Take Out Vinyl, while the seventh disc offers rarities, non-album singles and live recordings from the legendary 1972 Wattstax music festival. Housed in a slipcase, the seven-disc collection also includes a booklet with archival photos and liner notes from American music specialist and curator Levon Williams (formerly of the Stax Museum and the National Museum of African American Music), and folklorist, ethnomusicologist and writer Dr. Langston Wilkins.

Released on vinyl and digital platforms earlier this year (in February), Come Go With Me: The Stax Collection received strong praise from such outlets as Uncut, Mojo and Paste, the latter of which wrote, “this marvelous run of records sound brand new in these new all-analog pressings, with the earthy tang of the Muscle Shoals Rhythm Section and the Bar-Kays horn section ripping out of the speakers with hip-shaking fervor… This is a milestone of American musical history, treated with the appropriate levels of respect and reverence.” All six of the Staple Singers’ albums with Stax were also made available in hi-res 24-bit/192 kHz and 24-bit/96 kHz formats for the first time.

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By the time that the Staple Singers signed to Stax in 1968, the family quartet—helmed by patriarch Roebuck “Pops” Staples, with daughters Cleotha and Mavis, and son Pervis (later replaced by his sister Yvonne)—had long graduated from the gospel circuit. The Chicago group had become well known in the counterculture and folk scenes and were performing alongside major rock acts like Big Brother and the Holding Company and the Grateful Dead. The Staples had also become formidable voices in the Civil Rights movement, and many of their songs preached a message of empowerment and racial equality.

In the fall of ’68, the group went into the studio to record their first album for Stax, Soul Folk in Action, working with producer Steve Cropper and songwriter Homer Banks. The sessions were set against a backdrop of social and political turmoil, which climaxed with the assassination of Dr. Martin Luther King, Jr. in Memphis. The Staple Singers were known for writing politically charged “message songs,” and the year’s events certainly inspired many of the tracks on this album, including “Long Walk to D.C.” and “The Ghetto.” In their liner notes, Levon Williams and Langston Wilkins write that both of these songs “Truly tapped into the experiences and emotions of Black America at the close of the ’60s. The former is a tribute to the 1963 March on Washington told from the perspective of a poor yet hopeful African American person willing to use their last dimes to make it to the rally … Conversely, the somber and haunting ‘The Ghetto’ takes listeners deep into the isolation and despair of inner-city life.” Also notable to this album are stunning covers of The Band’s “The Weight” and Otis Redding’s “(Sittin’ On) The Dock of the Bay,” recorded in tribute to the fallen Stax star, who died tragically just a year earlier in a plane crash. The Staple Singers returned to the studio with Cropper the following year to record We’ll Get Over (1970). Highlights include the standout message song “When Will We Be Paid,” as well as covers of tracks like Sly & the Family Stone’s “Everyday People” and Gladys Knight & the Pips’ “The End of the Road.”

Though both Soul Folk in Action and We’ll Get Over carried powerful messages and tight-knit harmonies, neither had commercial success. And so, for the band’s third album, Stax co-president Al Bell (who signed the band) took the helm as producer. Williams and Wilkins note that “As a long-time DJ, Bell’s ear for what moves Black listeners, both literally and metaphorically, had been keenly crafted over several years. Bell hosted shows that had both sacred and secular followings and had amassed a wealth of experience from watching, noting and deeply understanding the impact music has on varied audiences. His ear was essentially priceless.”

With support from the Muscle Shoals Rhythm Section (also known as “The Swampers”), the Staple Singers found a winning team with Bell, and the resulting album, 1971’s The Staple Swingers, would be their first charting record, peaking at No. 9 on Billboard’s top R&B albums. The LP offered a funkier sound from the group, with high-energy singles like “Heavy Makes You Happy (Sha-Na-Boom Boom)” and the Smokey Robinson cover “You’ve Got to Earn It.”

The group reunited with the Swampers and Bell for 1972’s Be Altitude: Respect Yourself, an album that transformed the Staple Singers into mainstream stars. Peaking at No. 19 on the Billboard 200, the groove-filled album featured the Staples’ first No. 1 hit—the infectious “I’ll Take You There,” and “Respect Yourself,” a song which Williams and Wilkins declare “encapsulates the Staple Singers’ entire career.” The powerful message song not only resonated with African Americans but also with many women across the country as they, too, fought for equal opportunity.

The group’s 1973 follow-up, Be What You Are, featured the Top Ten hit “If You’re Ready (Come Go With Me),” popular single “Touch a Hand, Make a Friend” and the sweetly harmonized “Love Comes in All Colors,” while the Staple Singers’ final album with Stax—1974’s City in the Sky—includes such highlights as the politically charged “Washington We’re Watching You,” “Back Road into Town” and “Who Made the Man,” which marked a return to the group’s gospel roots.

The final disc in Come Go With Me: The Stax Collection offers a selection of live tracks from the Staple Singers’ energetic performance at Wattstax, as well as B-sides like “Stay With Us,” non-album singles like “Oh La De Da” and rarities that include “Walking in Water Over Our Head” and “Trippin’ on Your Love.”

Following their time at Stax, the Staple Singers continued to tour and record throughout the ’70s and early ’80s. They were inducted into the Rock & Roll Hall of Fame in 1999 and received a GRAMMY® Lifetime Achievement Award in 2005. In recent years, Mavis Staples has been back in the spotlight—headlining tours and reaching a new generation of fans with her solo records. In 2016, she was the subject of a documentary (Mavis!) and ended the year as a Kennedy Center Honoree.

Click here to pre-order the 7-CD set Come Go With Me: The Stax Collection

Special exclusive bundles, including a Stax t-shirt, available via the Stax Store

Track Listing – Come Go With Me: The Stax Collection (CD edition):

Soul Folk in Action

  1. We’ve Got to Get Ourselves Together
  2. (Sittin’ On) The Dock of the Bay
  3. Top of the Mountain
  4. Slow Train
  5. The Weight
  6. Long Walk to D.C.
  7. Got to Be Some Changes Made
  8. The Ghetto
  9. People, My People
  10. I See It
  11. This Year

We’ll Get Over

  1. We’ll Get Over
  2. Give a Damn
  3. Everyday People
  4. The End of Our Road
  5. Tend to Your Own Business
  6. Solon Bushi (Japanese Folk Song)
  7. The Challenge
  8. God Bless the Children
  9. Games People Play
  10. A Wednesday in Your Garden
  11. The Gardener
  12. When Will We Be Paid

The Staple Swingers

  1. This Is a Perfect World
  2. What’s Your Thing
  3. You’ve Got to Earn It
  4. You’re Gonna Make Me Cry
  5. Little Boy
  6. How Do You Move a Mountain
  7. Almost
  8. I’m a Lover
  9. Love Is Plentiful
  10. Heavy Makes You Happy (Sha-Na-Boom-Boom)
  11. I Like the Things About You
  12. Give a Hand – Take a Hand

Be Altitude: Respect Yourself

  1. This World
  2. Respect Yourself
  3. Name the Missing Word
  4. I’ll Take You There
  5. This Old Town (People in This Town)
  6. We the People
  7. Are You Sure
  8. Who Do You Think You Are? (Jesus Christ the Super Star)
  9. I’m Just Another Soldier
  10. Who

Be What You Are

  1. Be What You Are
  2. If You’re Ready (Come Go with Me)
  3. Medley: Love Comes in All Colors / Tellin’ Lies
  4. Touch a Hand, Make a Friend
  5. Drown Yourself
  6. I Ain’t Raisin’ No Sand
  7. Grandma’s Hands
  8. Bridges Instead of Walls
  9. I’m on Your Side
  10. That’s What Friends Are For
  11. Heaven

City in the Sky

  1. Back Road Into Town
  2. City in the Sky
  3. Washington We’re Watching You
  4. Something Ain’t Right
  5. Today Was Tomorrow Yesterday
  6. My Main Man
  7. There Is a God
  8. Blood Pressure
  9. If It Ain’t One Thing It’s Another
  10. Who Made the Man
  11. Getting Too Big for Your Britches

Bonus Disc: Singles, Live & More

  1. Stay With Us
  2. Brand New Day (Theme from The Landlord)
  3. Walking in Water Over Your Head
  4. Oh La De Da
  5. I Got to Be Myself
  6. Trippin’ on Your Love
  7. Heavy Makes You Happy (Sha-Na-Boom-Boom) (Live at Wattstax)
  8. Are You Sure (Live at Wattstax)
  9. I Like the Things About You (Live at Wattstax)
  10. Respect Yourself (Live at Wattstax)
  11. I’ll Take You There (Live at Wattstax)

About Stax Records:

One of the most popular soul labels of all time, Stax has become synonymous with its gritty, Southern sounds. Originally known as Satellite Records, the Memphis imprint was founded in 1957 by Jim Stewart. Over the course of two decades, Stax released more than 800 singles and nearly 300 LPs, picking up eight GRAMMYS® and an Academy Award along the way. In all, Stax placed more than 167 hit songs in the Top 100 pop charts, and a staggering 243 hits in the Top 100 R&B charts. For more info, visit StaxRecords.com and follow @StaxRecords on Facebook, Twitter, Instagram, and YouTube.

About Craft Recordings:

Craft Recordings is home to one of the largest and most prestigious collections of master recordings and compositions in the world. Its rich and storied repertoire includes legendary artists such as Joan Baez, Ray Charles, John Coltrane, Creedence Clearwater Revival, Miles Davis, Bill Evans, Vince Guaraldi, John Lee Hooker, Little Richard, Nine Inch Nails, Thelonious Monk, Otis Redding, R.E.M. and Traveling Wilburys, to name just a few. Renowned imprints with catalogs issued under the Craft banner include Concord, Fania, Fantasy, Fearless, Milestone, Musart, Nitro, Prestige, Riverside, Rounder, Specialty, Stax, Sugar Hill, Vanguard, Vee-Jay and Victory, among many others. Craft creates thoughtfully curated packages, with a meticulous devotion to quality and a commitment to preservation—ensuring that these recordings endure for new generations to discover. Craft Recordings is the catalog label team for Concord Recorded Music. For more info, visit CraftRecordings.com and follow on Facebook, Twitter, Instagram,YouTube, and Spotify.

 

 

 

 

 

source:
Aaron Feterl
[email protected]

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Black Celebrity Gossip - Gossip

Regina Hall: Actress Signs First-Look Deal with Showtime

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*Regina Hall has inked a first-look TV deal with Showtime. 

The actress will develop and produce TV projects under her production company RH Negative, TheWraps reports. She is currently developing a one-hour special that she will star in and executive produce.

“I am excited to call Showtime home,” Hall said. “Working with Amy has been such a delightful and organic experience. I am thrilled to expand our partnership to create smart, meaningful and impactful stories.”

“Regina is an undeniable and brilliant force in Hollywood, both in front of and behind the camera,” said Amy Israel, executive vice president, scripted programming, Showtime Networks Inc.. “She is one of the most dynamic and fearless actors of our generation and in her work on ‘Black Monday,’ she hilariously destroys every scene she’s in. We are thrilled at Showtime to continue and expand our relationship with Regina as a producer and eager to get to work on what promises to be an ambitious slate.”

READ MORE: ‘One Night in Miami’: Regina King’s Feature Directorial Debut Set for Christmas Day … in Theaters / WATCH

 

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Truly overwhelmed by all of the love that I have received today! It all means so much! Thank you all❤️ #Fortyfine

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In related news, Showtime has renewed Hall’s dark comedy “Black Monday” for a third season. The show is an 80s comedy that follows the employees of second-tier Wall Street trading firm the Jammer Group in the year leading up to “Black Monday,” the day when international stock markets crashed in 1987.

Hall plays the ruthless and ambitious Dawn, who is “brash like the boys” and totally ride or die. SPOILER: season two ends with a twist – Dawn locked up after “having taken full credit for the titular Black Monday scam in order to help her on-and-off again beau Mo (Cheadle) avoid life in prison,” per Vulture.

“Dawn just never gets it right,” Hall joked as she discussed the finale with the outlet.

Meanwhile,Hall is also starring in and executiving producing the film “Masters” and Hulu’s “Nine Perfect Strangers” adaptation. You can also catch her in “Breaking News in Yuba County,” set for release January 29.

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Neil deGrasse Tyson Says Small Asteroid May Hit Earth Before Election Day

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*Famed astrophysicist Neil deGrasse Tyson has warned that a space rock, known as Asteroid 2018VP1, is set to reach Earth a day before the presidential election on Nov. 3rd. 

Tyson made the announcement on Twitter, noting that the rock is approaching Earth at more than 25,000 mph.

The asteroid is reportedly the size of a refrigerator but Tyson makes clear that even if it enters Earth’s atmosphere, there is no cause for worry. 

“It may buzz-cut Earth on Nov 2, the day before the Presidential Election,” Tyson wrote on Twitter. “It’s not big enough to cause harm. So if the World ends in 2020, it won’t be the fault of the Universe.”

READ MORE: Neil deGrasse Tyson Responds to Sexual Assault Allegations in Facebook Post

NASA also confirmed news of the asteroid reaching Earth on Nov. 2. 

“Asteroid 2018VP1 is very small, approx. 6.5 feet, and poses no threat to Earth,” NASA wrote on Twitter. “It currently has a 0.41% chance of entering our planet’s atmosphere, but if it did, it would disintegrate due to its extremely small size.

“Close approaches by small objects of this size are not rare, and even if something of this size were to impact, the object would not likely survive the Earth’s atmosphere,” Donald Yeomans, a senior researcher at NASA’s Jet Propulsion Laboratory in Pasadena, California, told The New York Times in August. 

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Black Celebrity Gossip - Gossip

Leslie Jones Admits ‘I Wasn’t Very Free’ at SNL, Does Not Regret Leaving Show

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*Leslie Jones has opened up about her departure from “Saturday Night Live,” and she had made clear that she does not miss the sketch comedy show “at all.”

“I don’t miss it. At all,” she said in a new interview with Entertainment Tonight.

“That job was hard, man,” Jones added “That job was like two jobs and very restrictive too. I wasn’t very free there.”

Jones first joined the NBC series in 2014 as a writer before being bumped up to a prominent cast member position. She earned three Emmy nominations during her five seasons. The comedian tells ET that she only misses her fromer SNL co-star, Kenan Thompson.

Last fall Jones announced she wouldn’t be returning for SNL’s 45th season. 

READ MORE: Leslie Jones: Comedian Not Returning to ‘SNL’ for Season 45


Jones dished with PEOPLE about leaving SNL for a new venture, hosting the reboot of “Supermarket Sweep,” which airs Sundays on ABC.

“This one was really special because I wanted to give money to regular people,” she said. “If you give somebody $100,00, that’s the biggest ‘God bless you’ you could ever give to somebody. I want people to see that it’s possible to still win.”

“The game play in sweep has always been the strongest part of the show,” Jones continued. “Now I am bringing a little bit of me and joy and fun and joking and messing with the contestants. It’s just wonderful. You get to see their real personality when they pull up to the sweep, you’re like, ‘Oh, this is what you’re about. Oh, okay. I like this.’”

Jones says everybody’s a winner on the game show. “If they don’t win the big money, they get to take home the total of the cart. So there’s no losing.”

As a longtime fan of the competiton series, Jones once auditioned to be a contestant, telling ET: “I trained my roommate. I made her watch the show. I took her to the grocery stores. I made her run up and down the aisle. Like, we trained,” she says.

So when their big gameplay day arrived, Jones says “We were the last four teams and they were bringing people in to compete against each other, but you had to stay for that part,” she recalls, but as it turns out, they couldn’t complete the competition because Jones’ roomate had to bail to go to work

“She was like, ‘I gotta go.’ And I lost my ever-living mind,” Jones says. “I don’t think they were ever gonna let me on that lot again ‘cause I called her every type of name I could come up with. I was like, ‘I’ll never talk to you.’ Then I was like, ‘I’m not riding home with you.’”

“Supermarket Sweep” airs Sundays ET/PT on ABC.

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