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Femme Fatale Dancers Take on a James Brown Classic to Show It’s A Woman’s World (EUR EXCLUSIVE/WATCH!)



EUR Femme Fatale hand motions

*In the video above, dance crew Femme Fatale has managed to rack up three million views on Facebook since July 2019. Their moves are to a remixed version of the James Brown 1966 number one R&B ditty “It’s a Man’s Man’s Man’s World.”

The video showcases the international trio – Dassy Lee (Korean), Lily Frias (Mexican), and Marie Poppins (French) – as featured performers at the Arena Dance Competition in Los Angeles (Arena Dance Camp: @arenadancecamp).

EURweb’s head man, Lee Bailey, caught up with the crew in a recent phone interview and they explained how they turned the arguably sexist song into a performance about the power of women.

“We’ve done a lot of shows together but the collaboration on this one was amazing,” said Marie. “It started with a conversation, a subject that comes up a lot in our conversations, which is gender equality. As female street dancers, we are (not really represented) and we thought about our clothes a lot. Street dancers wear more baggy clothing and we were like how about doing a piece where we dress up like guys and then we change and dress more sexy.”

Femme Fatale (l-r) Marie Poppins, Lily Frias, and Dassy Lee (Photo: Kevin Lam Seck)

You might be wondering how and why these millennials chose a James Brown song from 1966 (you can also hear Diana Ross’ 1975 number one pop hit “Love Hangover” in the remix) – but they shut that question down quick.

“As dancers, we know our history,” said Lily. “We know our music. We study. All hip hop dancers are cultured. We know that Michael Jackson learned from James Brown and where did James Brown come from? Where does all of this music that we listen to now come from? Where was it sampled from? Music is part of what we do and we dance to every genre. A lot of it was created before we were born, but we study our history.”


Yes, these dancers can be seen all over social media dancing to a variety of music but admit the copyright police are in full force. They said viewers from some countries have been blocked from seeing their James Brown/Diana Ross video and they have a call to action.

“I’m talking for all of the dancers in the world,” said Marie. “We want to use (more songs) but there is a huge problem of copyright. With (James Brown/Diana Ross) it was a gamble because we thought the music would be blocked.”

Marie continued, “We try to work with producers and artists but if they don’t let us use their songs then it is hard to put (videos) together. I would like to create awareness about that. The labels need to figure it out because we give exposure for the new generation. I don’t work for a music label but can you tell them for me? As dancers we cannot be like cross our fingers and hope it doesn’t get blocked. It’s tiring.”

Lily added, “We worked for two months on (James Brown/Diana Ross) and don’t want to gamble anymore.”


Femme Fatale (l-r) Lily Frias, Dassy Lee, and Marie Poppins (Photo: Little Shao)

With dreams of making it as dancers in the United States, they found each other three years ago in Los Angeles while working as professional dancers and choreographers. The name Femme Fatale seemed like an obvious choice.

“The name is French and for a long time I’ve always liked that expression,” said Marie. “It’s something that we use in French to say that (the way) a woman does things – (how) she is strong with her personality, presence, and in everything that she does.”

Lily added, “I connected with the name because we use our femininity as a weapon. Yes, I’m dancing and working and using my femininity in the moment.”

“I’m obviously not French,” said Dassy, “but South Korean and I somehow knew the word Femme Fatale. It sounded very feminine and powerful and this was the right name.”

Femme Fatale member Dassy Lee (Photo/Facebook: OfficialFemmeFataleLA)

If Dassy, real name Inyoung Lee, looks familiar that is because she was the first Korean dancer on the iconic dance show “So You Think You Can Dance,” finishing in the Top 8 in 2017. With her impeccable robotic/hip hop moves, she has worked with artists such as PartyNextDoor, One Republic, Calvin Harris and featured in commercials for FitBit, Timberland, and Mastercard.

Femme Fatale member Marie Poppins (Photo/Facebook: OfficialFemmeFataleLA)

Poppins,’ real name Marie Bonnevay, is trained in locking, breaking, house, and of course poppin’. She has worked with artists such as Madonna, Busta Rhymes, Justin Bieber, Ne-Yo, Celine Dion, Snoop Dogg, and Common. She also co-choreographed with Derek Hough on that other top dance show, “Dancing With The Stars,” was in the movie “StreetDance 2,” and has starred in commercials for Google and Microsoft.

Femme Fatale member Lily Frias (Photo/Facebook: OfficialFemmeFataleLA)

Lily Frias (her real name) has jazz, ballet and contemporary dance training. You may have seen her on “America’s Best Dance Crew” (Season 7) with another group called Funkdation Crew. They were the first Mexican crew on the show. She was also the first Mexican dancer on “So You Think You Can Dance” (Season 12 /Top 20 street vs stage). Additionally, she has performed with Cirque Du Soleil, Mya, Bebe Rexha, and as part of the cast in “The Hip Hop Nutcracker.” Her commercials include Old Navy and Acura.

Individually, clearly the ladies are fire and they plan on performing together as Femme Fatale as long as they can. They are confident they can do both.

“The trio helps our individuality and our individuality helps the trio,” said Marie. “Even if the trio takes off, my personal lane is still there. (We) will always shine because we started as individuals.”

Femme Fatale (l-r) Dassy Lee, Marie Poppins, and Lily Frias (Photo: Kevin Lam Seck)

With all of them being from different countries, working as an immigrant in the U.S. is no joke. Even though the current White House politics appear to be against immigrants from certain countries, nothing can stop these dancing divas, especially Lily.

“As Mexican, in the political climate that is going on right now, I do see it as an obstacle but it just makes me work more,” said Lily. “I put more time into my dance, into the group, and in all of the goals that I have. So honestly, nothing can stop me. I want to make an impact and inspire other immigrants and other Mexican dancers and to show them that nothing is going to stop us if we have a dream.”

Femme Fatale created “Rising in Motion,” a dance-theater show (see video below) about empowering women and self-esteem. They want to keep it moving with more projects and need your help. Hit them up on Instagram or Facebook if you are the real deal and can promote these talented young women.



  1. Lou

    August 31, 2019 at 8:54 pm

    Does Jim nowakowski not count as Korean?

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Apple News

Nigerian Bread Seller Lands Modeling Contract After Photobombing Rapper’s Shoot



Olajumoke Orisaguna

*27-year-old former bread seller Olajumoke Orisaguna captured the world’s attention a few years ago when a photo of her carrying a massive bag of bread loafs ontop of her head went viral.

She was discovered on the streets of the city of Lagos by international photographer Ty Bello, who was shooting with English rapper Tinie Tempah. Unintentionally, Orisaguna came out in one of the images.

Days later, Bello shared pictures from that shoot on his social media but with interest of finding out who the bread seller was in the photo.

“WHO IS SHE? Everyone has been asking if this lady is a model… She definitely SHOULD be a model… I’ll find a way to track her down somehow. You guys can also help,“ the photographer captioned the post.

CHECK THIS OUT: New Trailer: ‘Spell’ Starring Omari Hardwick (‘Ghost’), Loretta Devine and More!

As PEOPLE notes, from that moment on, her life changed forever. In less than a year, Orisaguna managed to sign contracts with recognized agencies. Earlier this year, she wrapped up her tour of South Africa and she also launched a vlog and reality show.

“I never expected this would ever happen to me,” she told CNN. “My friends have told me they saw me on the TV and they are really happy. My parents cannot believe their own child can become such a success.”

In March, she celebrated the one year anniversary of her discovery. In an exclusive interview with Pulse in January, Orisaguna spoke about the people who have been influential in her rise to fame. During the interview, she thanked Azuka Ogujuiba of ThisDay Newspaper, as she was instrumental in Olajumoke’s success story.

Orisaguna, who left her two children and husband to sell bread, is now being offered by a bank to pay for her kid’s education through college.

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‘Origin of Everything’ on PBS Sparks Interest with Controversial & Everyday Topics (EUR Exclusive!)




Origin of Everything

*“Origin of Everything,” available on, has been exploring topics since 2017 that run the gamut. The show jumps into a variety of subjects by investigating daily life like the words we use, pop culture, and why we are hooked on technology.

The show does not shy away from controversial topics such as slavery, race and ethnicity, and mass incarceration of African Americans.

Danielle Bainbridge, Ph.D., the host and lead writer of “Origin of Everything,” told the EUR in a recent interview that the series is about making people think beyond the restrictive ways we have been taught to view history.

“It’s a show about our collective story and how we are envisioning history,” Dr. Bainbridge said. ”How do we think about history that includes all of us and just not the figures and facts that we were taught in school. So, it’s a show about under told and underrepresented history. We’re trying to make history feel very present to the people who watch it.”

She continued, “One of the reasons to watch it is if you’re curious about how did we get to our current moment? How do small things such as why do we eat popcorn at the movies or what is the origin of ethnicity and how do these things still impact the way we think about the world?”

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EUR PBS Danielle Bainbridge

Dr. Danielle Bainbridge, host of “Origin of Everything,” available on (Courtesy of PBS)

Deftly equipped to talk about controversial topics, Dr. Bainbridge holds a Ph.D. in African American Studies and American Studies from Yale University and graduated Cum Laude from the University of Pennsylvania with a B.A. in English & Theatre Arts. She is also a faculty member at Northwestern University in Theatre and African American Studies

In early 2017, when she was a graduate student, she was contacted by PBS about working on the show and thought it was a joke.

“When they first reached out to me, I thought it was a hoax,” Dr. Bainbridge said. “I was thinking how would they even know who I am because I was a graduate student? But I think they found me through a since defunct janky website that I had set up. They reached out to me, I auditioned, did a screen test, and a writing sample and after that I was hired to help develop the show.”

Viewers are encouraged to be interactive with the series because it is digital. With instant commentary from the audience, the show knows immediately what viewers think, which for the most part is positive. However, when it delves into controversial subject matters things can get sticky.

“I would say overall people are pretty positive about the series because most of the folks who watch it are longtime watchers who tune in every week for episodes,” Dr. Bainbridge said. “The only exception is if we cover more sensitive topics like, race, gender, or sexuality we will get some pushback. I think that’s just the cost of doing business with open discourse.”

One of the most controversial shows was about the transatlantic slave trade.

“We did one episode on why Europeans enslaved Africans and that was probably our most viewed episode as well as our most critiqued one,” Dr. Bainbridge said. “I think often times if you view yourself as pretty well versed in history from what you learn in school and then you learn something that goes in the opposite direction it can be jarring or for some people upsetting. We think of it as our value or service to our audience to present accurate history or history that doesn’t get told that often so that people can be informed with the whole picture.”

She added that she has an answer for those who point out that Africans sold slaves to Europeans.

“Slavery was not invented with West Africans and Europeans,” Dr. Bainbridge continued. “Some form of enslavement – whether through war, becoming a prisoner of war, or through different systems – goes back to ancient societies from around the world. So, it is not distinct to West Africa or Europe or any other region of the world.”

Dr. Bainbridge added, “But the difference with this particular moment in slavery was that it intersected with capitalism in a way that was very different with slavery that preceded it. People were taken into the system and their children inherited their status as a slave and that is where the differences started to emerge. We have to think about these things as distinct only because the system that existed with chattel slavery was so radically different than the slavery that existed around the world beforehand.”

With the ongoing protests against police brutality, “Origin of Everything” has also tackled the racist beginnings of United States law. Dr. Bainbridge breaks down the discriminatory history by looking at colonialism, slavery, the Jim Crow era, and mass incarceration.

“I decided to write this episode about legal discrimination, and I didn’t have a particular agenda in mind,” she said. “As I started doing the research it was overwhelming. I started to find (material) that just dealt with legal discrimination about black people in this country from its origin to now. I thought it was something that people needed to know.”

“I was never taught in any history class that I took through high school any of the information from that episode. I was taught that things are fair and that a lot of the blame was placed inadvertently or inherently on black communities, impoverished communities, or communities that struggle. When I saw that in some ways the law was stacked against black people and certain other populations, I thought that was important to bring to light. In this moment, people are looking for reliable sources and this could add to the conversation.”

New episodes of “Origin of Everything” are available on and the PBS Digital Studios’ YouTube Channel. Join the conversation by visiting Twitter-@PBSOrigin and Instagram-@pbsoriginofeverything.

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Apple News

THE REAL: Garcelle is in the Hot Seat About Jamie Foxx! / WATCH



Garcelle Beauvais1 (the real 09-29-20)
Garcelle Buvais (the real 09-29-20)

Garcelle Beauvais

*On Tuesday, Sept. 29, the ladies of The Real have some follow-up questions for co-host Garcelle Beauvais after her revealing conversation with Jamie Foxx on her podcast.

In an outrageous Girl Chat, Garcelle reveals some shocking secrets, and admits she could be interested in a relationship with her former co-star!

Ravi Patel visits to talk about his new HBO Max docuseries, Ravi Patel’s Pursuit Of Happiness, and reveals how he would like to create his own neighborhood.

Rapper YelloPain drops in to explain what inspired him to come up with the song “My Vote Don’t Count,” and the message he wants to get out to young voters.

And Florida teacher Edith Pride explains why she stood up at a Palm Beach County school board meeting to scold parents on their behavior during their children’s distance learning classes, and the responses she has gotten. The hosts of The Real have a special gift for her!

SAY WHAT?! Nickayla Rivera Responds to Reports She’s Living with Naya’s Ex-Huband Ryan Dorsey

The Ladies Have Some Follow-Up Questions For Garcelle About Jamie Foxx!

Loni Love: Last week, Jamie Foxx, who was your coworker since 1996… y’all were in your little Jamie Foxx Show

Adrienne Houghton: I loved it.

Loni: He was on your podcast. Your lovely podcast, Going to Bed With Garcelle. And he admitted that you two probably should have been together! And then – this was all on the podcast, because I was listening, I was like, “Ooh, Jamie, really?” – and he also said that every time like y’all did a movie, and you tried to hook up, you had a boyfriend and he was always mad when you had another dude, and he was acting like real funny. And so then you really responded like –

Adrienne: What?

Loni: …Why didn’t you all get together – oh, y’all gotta listen to her podcast, it was good, right? And then you said that Jamie Foxx – you said, “How we gonna be together?” He hung like a horse! I was like, “What’s wrong with that?” So, I just want to know, Garcelle, what’s going with y’all two?

Garcelle Beauvais (laughing): Adrienne’s face! Oh, look at Jeannie!

Jeannie Mai (ear pressed to the camera): Come on! I got some things to know!

Garcelle: Mind your business, Loni. (laughing). Listen, he and I we have such a great friendship. And when he and I were doing The Jamie Foxx Show we sort of had a pact like we weren’t going to date while we’re working together, right? So two weeks before we were done with our hundredth episode, which was amazing in itself, I got engaged! And he was like, “You couldn’t wait! You couldn’t wait two weeks?” So we’ve had a great friendship, I love him, but you know, sometimes like if we got together we probably wouldn’t be the friends that we are right now. What, what are you doing this for Jeannie?

(Jeannie is raising her hand)

Jeannie: Yeah, yeah, I got a question! Anyway, anyway, Garcelle!

(Garcelle is laughing)

Jeannie: How you know how he’s hung?!

Garcelle: OH!

(Loni starts laughing)

Garcelle: Listen…

Adrienne: That’s what I want to know!

Garcelle: We did a hundred –

Adrienne: That’s what I want to know!

Garcelle: -episodes, right? Every now and then he’d have to like rip off a pair of pants, or some kind of, you know, comedic, you know, act, or whatever, however you want to say it. And it came out, honey. It rolled out.

(So much laughter)

Jeannie: Oh my god!

Garcelle: I love him so much!

Adrienne: Wait! I have more asks!

Garcelle: Never say never! But who knows.

Adrienne: You said what were you gonna do with that! And… and, and.. I’m just curious. Is that not your thing? You’re like, no, it’s too much, like?

Garcelle: It’s a bit much!

Adrienne: Oh Lord Jesus.

Garcelle: I’ve said too much, I’ve said too much.

Loni: OK, all right.

Garcelle: Listen to the podcast! Look at Jeannie!

Loni: Listen to the podcast!

(Jeannie is climbing back into her chair)

Jeannie: Can we end the show?


Jeannie: Y’all are single now! Why can’t you do the thing?

Adrienne: Yeah!

Jeannie: Why can’t… I don’t get it!

Garcelle: I don’t know! I mean – I don’t know, I don’t know. I think we’re too much in the Friendzone. I don’t know. But let me tell you – he’s a great kisser. Great kisser.

Loni: Ohhhhh.

Jeannie: What are we doing?!!!

Adrienne: These are are reasons for Yes!

Jeannie: What are we doing?

Garcelle (fanning herself): Oh my god, I’m so hot.

Adrienne: You’re literally telling me he’s got everything great about him, but – but… ok, this is real Girl Chat and we keep it very real.

Garcelle: Yes, it’s real.

Jeannie: OK, Garcelle, Garcelle, no, no…

Adrienne: Not just that thing.

Jeannie: Focus this, focus… are you…

Garcelle: So if he asked me out, I would say yes. Can I leave it there?



Twitter: @TheRealDaytime






THE REAL is a live daily, one-hour, two-time NAACP Image Award-winning and Emmy®-nominated talk show now in its seventh season on Fox Television Stations and in national syndication (check local listings), with a rebroadcast on cable network Bounce. The bold, diverse and outspoken hosts, Garcelle Beauvais and Emmy® Award-winners Adrienne Houghton, Loni Love and Jeannie Mai, all frankly say what women are actually thinking. Their unique perspectives are brought to life through candid conversations about their personal lives, current events, beauty, fashion and relationships (nothing is off limits). Unlike other talk shows, THE REAL hosts are admittedly a “work in progress,” and fearlessly invite viewers to reflect on their own lives and opinions. Fresh points of view, youthful energy and passion have made THE REAL a platform for multicultural women. Produced by Telepictures Productions and distributed by Warner Bros. Domestic Television Distribution, THE REAL is led by Executive Producer, Rachel Miskowiec (Good Morning America, Katie, The Tyra Banks Show, Judge Hatchett, The Ricki Lake Show) and Co-Executive Producer Tenia Watson (Judge Mathis, Lauren Lake’s Paternity Court, WGN-TV Morning News, Just Keke, The Test) and shot in Los Angeles, California.

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