*The estate and family of the legendary musician Isaac Hayes have once again found themselves embroiled in a legal and moral tussle with former President Donald Trump. The controversy stems from the unauthorized use of the classic song “Hold on, I’m Coming,” written by Isaac Hayes and David Porter, at a Trump rally in Atlanta on Saturday (08-03-24).
Taking to Twitter, the estate of the late Isaac Hayes, in collaboration with Primary Wave, a prominent music management firm, announced their intention to pursue legal action to prevent further unauthorized use of the song.
Expressing their strong disapproval, the Hayes family condemned Trump, accusing him of embodying the “worst in honesty, integrity, and class” and wanted no association with his campaign, which they claim is rooted in “hate and racism.”
Isaac Hayes III, an accomplished entrepreneur, producer, and founder of the digital marketing agency Fanbase, has always been a vocal advocate for artists’ rights and fair compensation. As the son of Isaac Hayes, he has been particularly vigilant in protecting his father’s legacy. Known for his significant contributions to the music industry, Hayes III is steadfast in his stance against the unauthorized use of his father’s work.
Once again, the estate and family of @isaachayes DID NOT approve the use of “Hold on I’m coming’” written by Isaac Hayes and David Porter by Donald Trump tonight in Atlanta.
We and our partners at @primarywave are taking legal action to stop the unauthorized use of this song.…
— Isaac Hayes III (@IsaacHayes3) August 4, 2024
The iconic song “Hold On, I’m Coming,” famously recorded by soul duo Sam & Dave and released in 1966, has timeless appeal and has become an anthem of resilience and support. Over the years, the track has been appropriated by various politicians and public figures to energize their followers and set the tone at events. However, the recurrent use by Donald Trump has been especially contentious.
Sam Moore, the surviving member of Sam & Dave, has also publicly expressed his displeasure over Trump using the song without permission. This discontent isn’t isolated, as many artists have taken similar legal actions against politicians for unsanctioned use of their music, arguing that it implies endorsement of the politician’s messages and policies.
The controversy over “Hold On, I’m Coming” ties into a broader pattern in which politicians often harness popular music for emotional and rhetorical power at rallies. However, these uses can lead to disputes, particularly when the musician’s values starkly contrast with those of the politician.
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