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The One and Only Vivica A. Fox is Hotter Than Ever and Disarmingly Real

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*Kind, conscientious, courageous and refreshingly candid, Ms. Vivica A. Fox has proven that as Hollywood careers go, second acts are often the sweetest. The multi-hyphenate actress-director- beauty entrepreneur-author is embracing life and not looking back, except to pull from her well of wisdom for her new memoir, Every Day I’m Hustling. And if you know Vivica like I got to know her during our conversation, you’d think the book’s title quite fitting. She enjoys hard work and has no plans to slow down.

Born Vivica Anjanetta Fox on the outskirts of Indianapolis, she went by Angie Fox, one of four siblings being raised by divorced mother who worked overtime to provide for her children. Her childhood home was hectic but loving and provided fertile ground for Vivica to aspire for things grander than her midwestern upbringing.

After high school, she made her way to Southern California to attend college, all the while seeking out opportunities in Los Angeles to model and act wherever she could. It was in LA that Angie became Vivica A. Fox. She worked her way through the ranks on sitcoms and daytime soaps, and in 1996 got her breakthrough role opposite Will Smith in the classic blockbuster, Independence Day.  Next came a string of fan favorites including Set It Off, Soul Food, Two Can Play That Game, Kill Bill Volume I and II, and a string of subsequent roles in film and television, including Larry David’s sharp-witted houseguest, Loretta Black, on Curb Your Enthusiasm and Skye in the campy Sharknado franchise. Her eclectic career has kept her on the move for nearly three decades.

In 2016, Vivica joined the cast of the smash hit television series, Empire, playing conservative suburbanite Candace, Cookie Lyon’s (Taraji P. Henson) older sister and character foil.

During our interview we covered everything from movie stardom and maternal instincts to social media drama, setting boundaries and finding love.

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Vivica A Fox - zebra (credit Blake Little)

Vivica A. Fox (Photo: Blake Little)

Allison Kugel: When are you Angie and when are you Vivica? When do you take off the Vivica and become Angie from Indianapolis?

Vivica A. Fox: Well first off, that’s Angie Fox from 38th and Emerson in Indianapolis (laughs)! I’m Vivica Fox when I hit that red carpet and I’m ready to slay the game. That’s what I do. But I love that I have in my life, and in my journey, learned when to be Angie Fox. And that’s mainly when I’m with my family, time off, hanging out with my godchildren, having my Me Time and learning to take Me Time. That’s when I’m no makeup, baseball cap, chilling and blending in.

Allison Kugel: Do you prefer yourself that way?

Vivica A. Fox: Oh my gosh! To be honest with you, the older I’ve gotten, the more I prefer it. I work so much; I’ve been so blessed and so busy lately that I enjoy when I can have that Me Time. In fact, today I don’t have to be on. That’s what I really love about being with my godchildren. When they see me, I’m just G.G. or G-ma. G.G. stands for Gorgeous Godmother. G-ma, I don’t know where they got that one from, but I have five godchildren. Two of them call me G-ma and the other ones call me G.G. They like hanging with me. Not the drama or the glamour, they just want me.

Allison Kugel: I love the part in your book where your godson, Christian, sees you all done up as Vivica A. Fox, and he gives you that side eye like he doesn’t recognize you, and you say, “It’s okay, I’m just wearing my Vivica costume.” Then he asks, “You’re still my G.G., right?” And you reassure him that it’s still you.

Vivica A. Fox: It’s funny because he was just a baby the first time he saw me like that, and he was like, “Who are you!?” He was so used to seeing me in my tracksuit and baseball cap. But now at seven, he kind of likes it when he sees the reaction I get from people. He’s done a couple of red carpet events with me and he knows the difference between the two.

Allison Kugel: Coming from the Midwest, your father was a school administrator, your mother worked for a pharmaceutical company, so you really had no ties to entertainment, or Los Angeles for that matter. What gave you that spark of courage, that spark that made you believe that you could become a successful actress?

Vivica A. Fox: I was introduced to the world of fashion and modeling by Madame King, my late auntie. She had her own beauty salon back in the day. She was the first one to cut my hair and put me on a runway. I was kind of bitten by the bug at thirteen. From that point forward, I just fell in love with magazines and fashion. Then I went to go see Michael Jackson in concert, and Diana Ross in concert. I had never seen African Americans being so fabulous, and I was like, “Where do they live? That’s where I’m going! That’s what I want to do.” I decided that during my senior year in high school. But I had to trick my mama (laughs) and tell her I was going to college in California, and I did go to college. But I would be sneaking up to Hollywood and going to modeling agencies. I had a girlfriend who was an actress, and I used to read lines with her. She would say, “You’re pretty good at this, you should try it.”

Allison Kugel: Your book is part memoir and part motivational guidebook for success. Tell me about your mentor, or mentors…

Vivica A. Fox: My mentor would have to be a good friend of mine, and my first acting coach, Sheila Wills. I’m her two daughters’ godmother. Sheila, I met when I was doing [the daytime soap opera] Generations. She took me under her wing, and she would work with me with auditions. I would go into those auditions and just nail them. I attribute my success to her. She would say, “Vivica, you’ve got to stay ready. You got to be ready. You’ve got to take care of yourself.” And people who inspired me to be who I am would be Diana Ross and Pam Grier.

Allison Kugel: Do you know that you’re incredibly sexy? Is that something you’re aware of?

Vivica A. Fox: Well, okay now!

Allison Kugel: I’m not pulling your leg. You really do ooze sensuality. Do you know that?

Vivica A. Fox: Thank you! I appreciate that. Got to keep it tight and right, girl (laughs)!

Allison Kugel: More so now, than twenty years ago, in my opinion…

Vivica A. Fox: Maybe because… No, not maybe! Because I am comfortable in my own skin. I’m very comfortable with me. I have embraced my womanhood through my pluses and my minuses. I’m good with me right now, so that’s what you’re seeing. My spirit is happy, more than anything else. It’s taken awhile, and that’s something I want to share with people. My book is a motivational memoir. I, too, have fallen down and had to figure out how to get back up and create new chapters for myself. I want to encourage, enlighten and inspire other people.

Allison Kugel: Why did you choose to share your journey with menopause in the book?

Vivica A. Fox: It’s part of life. It’s going to happen. And it’s like you just asked, “Do you know that you’re sexy right now?” But do people also know that for the last few years, that’s what’s been going on in my life? I embraced it and I got in front of it. I didn’t let it define me or make me want to whittle away. I don’t know why with women, we can’t talk about our bodies and what we go through, share it with others, and not feel like we have to hide that from people. I’m sharing it, and I got in front of it and took care of myself. I really feel like it made me take good care of myself.

Allison Kugel: And being that your image is sexy, you weren’t afraid of putting that out there…

Vivica A. Fox: No, not at all. You’re going to have naysayers and people that are going to try to come and say something, and they can. But I’m still me. It doesn’t change who I am. I’m still all woman.

Allison Kugel: When it comes to social media feuds and this clap back culture we’re living in, when do you take the high road and not respond, and when do you feel the need to clap back?

Vivica A. Fox: I will clap back occasionally, but to be very honest with you, if it’s not necessary, I don’t like that. I’m not one of those people who became famous by being a controversial celebrity. Normally, I’ll click on who that person is and see if they’re even worth it. If it’s somebody that you can tell is wanting to make TheShadeRoom or seeking attention, I just block them. They’re not worth it. When I clap back, it’s when somebody comes at me or I have to set the record straight.

Allison Kugel: Technology has made it very easy for people to say something mean spirited or join in the angry mob. For me, I try my best to practice the art of what I call Non-Reaction, where I feel like every time I don’t react I’m passing that next spiritual test. But occasionally, something will get me and I’ll react. And then I’ll wonder, was that a failure on my part, or was it warranted in that situation? Do you share that same internal struggle?

Vivica A. Fox: It’s an internal struggle with me too. Some days I’m like, “Why did I give that person my energy?” There are some people, they just come on your page to be mean, and you kind of want to go, “You looked me up, and took the time to write a response to be mean to me. Hmm, what does that say about your character?” There’s an old saying your mama told you. “If you ain’t got nothing nice to say, don’t say nothing at all.” I try to live by that old school motto. I don’t try to pass on bad energy to others, I don’t. If I don’t have anything nice to say I just keep my opinion right on over here. But you know, this generation with the social media, a lot of people like that negative feedback. They feed off it. I don’t.

Allison Kugel: Let’s talk about motherhood. I know you have all these nieces and nephews, and godchildren. I feel like motherhood, meaning the energy of motherhood, is something that is innate in all women. We have a need to nurture. How does that energy express itself through you?

Vivica A. Fox: I’m Mama Bear all the time! I have a nurturing instinct and I think I get that from my mother. My mother always loved to take care of others. Still to this day, she doesn’t take as good care of herself, because she is always looking out for others. I got that quality from her. When I’m on the set, I’m always looking out for others. When I walk on a set, I’m always making sure that I speak to everyone, that I try to make people as comfortable as possible.  In that way, I am very motherly. It’s just something in me, I like to look out for others. But the older I’ve gotten, I’ve learned to look out more for myself, as well. And I’ve learned a very important word: No. Because people will take, take, take from you child, till you drop! Then they’re satisfied, and you’re left over there feeling completely empty.

Allison Kugel: At what age did you learn how to say No?

Vivica A. Fox: It was in my late forties, or maybe just when I got to be about fifty, that I started really looking at my relationships and asking myself if they are all reciprocal relationships. I had that tendency to give, give, give, and I finally took off my Captain Save-A-Ho cape.

Allison Kugel: (Laughs).

Vivica A. Fox: I mean that. Sometimes you’ll talk to friends on the phone, and we all vent, it’s human. But if you talk to somebody that is constantly draining and negative, at some point… I’ve cut ties with a couple of friends and not felt bad about it. I call it the season of shedding, where not everyone’s going to the next chapter or the next level with you. And it’s okay. You don’t have to hate them, but there’s nothing wrong with making good choices for yourself.

Allison Kugel: How do you define glamour and beauty?

Vivica A. Fox: Someone who is a goddess, who just radiates confidence; someone who owns her moment, who seizes her moment. The older I’ve gotten, I believe that beauty radiates from the inside. Especially nowadays with these build-a-bodies, and everything is just makeup and fakeness in my opinion right now. It’s when you meet a person and they are a beautiful person, they radiate confidence and kindness. I find beauty in a woman that has no makeup on, but she’s confident in her own skin and radiates kindness and does for others, to me that’s beautiful.

Allison Kugel: In your book you give advice on achieving different areas of success in one’s life. I personally think that so many people have a misconception about success. People want that insta-recognition, that insta-success. I said to someone the other day that for all the people who think they would love to trade places with Mark Zuckerberg or Oprah, for example, most of those people wouldn’t make it through the first week if they saw the tremendous amount of work, pressure and sacrifice that it takes to be in that type of position.

Vivica A. Fox: To piggyback on that point, for myself, people don’t realize that for the last two to three years I slept on planes. I was always traveling, always busy, taking meetings, not sleeping, going here, going there, and going through changes of life and never letting it slow me down. There’s a lot of work required. All those seeds that I’ve planted, I’m now seeing them all blossom. But I had to do the work. That’s what I tell people. In my book, in the chapter about Being the Head Chick in Charge, I say, “Don’t let anyone outwork you.”

Allison Kugel: What do you think is the biggest misconception about success?

Vivica A. Fox: That it’s easy. When you’re successful, usually it’s taken a long time to build a career. It isn’t something that happens overnight. It takes time to build a career, and a career means being able to go through different stages and chapters of a career, not just being the hot chick of the moment. For me, I went from being the hot ingenue chick, to now building my brand and producing and directing.

Allison Kugel: Let’s talk about Empire. I started watching it last week, all four seasons in a row!

Vivica A. Fox: Oh, you binge-watched…

Allison Kugel: Yes, I binge-watched! I’m talking carrying the iPad with me all over the house; the show is that addictive and entertaining. Entertainment value, on a scale of 1 to 10, it’s a 12 plus. The one thing I had mixed feelings about is the way African Americans are depicted in the show. On one hand I’m loving it, on the other hand I’m thinking, “Does this play on negative stereotypes, the way this family is being portrayed?”

Vivica A. Fox: Well, I think that’s why Empire has been so successful. It’s raw and right there in your face. It makes you uncomfortable. What I commend Lee Daniels and the cast of Empire for is they are like, “It may make you uncomfortable, but we are who we are. We’re not going to sugar coat this. We’re going to give it to you straight, no chaser.” That’s what made it a phenom. Some people felt like they couldn’t handle the gay [subject], or they feel it’s a little bit too raw, but that’s Empire. They have stayed true to what the show is about, and I have to commend them for that. That take courage, not to bow down to social or peer pressure.

Allison Kugel: Did Lee Daniels ever share with you the moral of the story of Empire, or his vision for the show?

Vivica A. Fox: Not really. The thing I love about Lee is that he is who he is. It’s taken awhile for him to become comfortable in his own skin, and that he’s a gay man and that he has talent, and he doesn’t have to hide who he really is anymore. We’ve all been in this business for twenty years, and I’m going to tell you that it’s been a long journey for him to put out a show like this. Some of the storylines in the show, absolutely, with the mother saying to her kids, “You’re this, you’re that (referring to the character, Cookie, having a penchant for hurling insults).” The father throwing the kid in the dumpster, it tugs at the heartstrings. It makes you uncomfortable, but it happens. I feel that with knowledge there’s power.

Allison Kugel: What will Candace be up to in the new season?

Vivica A. Fox: I can’t give away a whole bunch, but I will tell you that Candace is back and that you will get the chance to finally meet our mother, Renee, played by the very beautiful and talented Alfre Woodard.

Allison Kugel: Do you judge your character, Candace, the same way that Cookie judges her?

Vivica A. Fox: No. I believe we all have those relationships in our families where we’re all different, but we’re still family. In my career right now, I’ve embraced my womanhood and people are like, “Ooh, Vivica, you’re going to become today’s Diahann Carroll.” And I’m like, “Wow! Thank you for that.” But firstly, Vivica is a little bit more like Cookie. I like to have my rock star moments, and I love wearing the crazy clothes and all that stuff. But Candace is who I’m evolving into.

Allison Kugel: In your book you provide some back story about your mom and dad’s relationship, and how it’s affected your own love life. What I got from what you wrote is that in watching your mom nurse a broken heart over the divorce from your father, you saw her as a victim, and that framed your own love life.

Vivica A. Fox: Absolutely.

Allison Kugel: Do you still see her as a victim, or do you see things in a different light now? And what would it take for you to let your guard down in love?

Vivica A. Fox: I see my mother now as a survivor. My mother grew up in a time where you stuck by your guy. He was her one true love, and I definitely have those qualities. What I learned from her, in wanting her to live and to love and to laugh more, I wouldn’t take those same steps that she did. I can open my heart again. For my part, I’m making sure that I’m not lustful anymore. I don’t look at somebody and right away say, “Oh yes, he’s the one!” I make sure that I take the time to get to know someone. That’s something I pass along in my book, as well. Don’t jump into the shallow end of the pool head first. You’ve got to take the time to get to know people. So yes, I am open to love. I want to love again and have someone that’s really special. But he has to prove himself, and I would have to prove myself to him, that I’m worthy to be his mate. Sometimes women are so afraid to be alone that they just take that first thing coming, and they get the short end of the stick. They keep dating the same guy over and over again. That’s why, in the book, I say to make your chart out. Do you keep dating the same guy over and over again? Because you’re going to get the same result.

Allison Kugel: Do you want Hollywood to be colorblind in writing and casting roles, or do you want to be identified, and cast, as an African American actress?

Vivica A. Fox: Of course, I always want to be seen as a talented African American actress, because that’s who I am. I feel that right now, what’s going on in Hollywood is that, man, that glass ceiling has been busted wide open. It’s been a long time coming, with the success of Black Panther, with the success of television shows like Scandal and Empire and How to Get Away with Murder; with Oprah having her own network. It’s about damn time.

Allison Kugel: Is it an I Told You So moment?

Vivica A. Fox: I don’t know if it’s I Told You So as much as it is, Finally.

Allison Kugel: Finish these sentences for me. I know I can trust someone when…

Vivica A. Fox: When I’ve truly gotten to know them.

Allison Kugel: I know that God is speaking to me when…

Vivica A. Fox: Woo! Hmm. All the time. Every day when I wake up and I can thank Him for letting me see another day. I would say, I know God is speaking to me all the time, and He helps me make better choices.

Allison Kugel: My spiritual mission in this life is…

Vivica A. Fox: To be kind, to do unto others and to leave a good mark.

Vivica’s memoir, “Every Day I’m Hustling,” is available everywhere books are sold April 3rd and available for pre-order on Amazon

allison kugel

Allison Kugel

Allison Kugel is a syndicated entertainment and pop culture journalist, and author of the book, Journaling Fame: A memoir of a life unhinged and on the record. Follow her on Instagram @theallisonkugel.

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** FEATURED STORY **

Pastor Cal Keeps Love Alive on ‘Married at First Sight’ (EUR EXCLUSIVE!)

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Pastor Cal - Calvin Roberson

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*For 11 seasons, “Married at First Sight” (MAFS) has been the ultimate experiment in matchmaking as couples who have never met – complete strangers – tie the knot.

If you are not familiar with the popular Lifetime series, people looking for love are matched by relationship experts (Dr. Pepper Schwartz, Dr. Viviana Coles, and Pastor Calvin Roberson-known as Pastor Cal) and agree to tie the knot before meeting their mates.

The show follows the couples for a few weeks as they experience their first meeting at their weddings, their honeymoons, meeting each other’s families, and other milestone events all the while being counseled by the experts. At the end of each season, the couples are given the chance to continue in their marriage or get a divorce.

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Pastor Calvin Roberson (Pastor Cal) is one of the experts matching couples on “Married at First Sight.” (Photo: Lifetime)

While some may question the show’s premise, the EUR spoke to Pastor Cal recently and he said the series is genuine.

“My job on the show is to get these couples, put them together, and make sure they stay together,” said Pastor Cal. “My goal is to look at their differences, see where they’re compatible, counsel them and in some cases, threaten them, to make it work. All the experts, our focus, is simply making sure the couples stay together.”

As for a method in which the couples are matched, he added, “There isn’t a solid formula we apply to every couple. It has to be tweaked as we find out people’s peculiarities. It can be nerve-wracking but it’s rewarding in the end.”

Like many MAFS seasons, there are surprising revelations and this one, featuring couples from New Orleans, is no exception.

“Season 11 has brought us so many surprises,” Pastor Cal said. “Even in casting, one of the couples we thought would get along much quicker is one of the ones lagging behind. And one couple we thought would move slower to intimacy are moving ahead. And that’s with Miles and Karen being the slower and Woody and Amani being the faster of the two.”

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Woody and Amani in current season (11) of “Married at First Sight.” (Photo: Lifetime)

He continued, “Also, by my own admission, I fall on the sword on this one, I was not expecting Bennett and Amelia to get along so well. I thought she would be put off more by his lack of profession. It was a big surprise to me.”

The next MAFS season will include Atlanta couples and after that the show heads to Houston, which is casting now. Pastor Cal told the EUR that the show adapts to the couples from each city.

“I believe that every city we film in brings a certain flavor and the participants from that city take on the flavor from that city,” Pastor Cal said. “New Orleans is laid-back, they party, and it’s a very fun city as opposed to a city like D.C. that is very political, buttoned up, and tight. But definitely we found that every city influences the participants. We definitely see different personalities coming out of each city.”

MAFS Houston Flyer

Speaking of Atlanta, Pastor Cal is the lead pastor at Progression church in the peach city. He and his wife Wendy have a marriage coaching organization that offers marriage and relationship conferences, boot camps, and seminars worldwide.

While COVID-19 may have slowed down the in-person events, that has not stopped people from contacting Pastor Cal for love connections, “Because of COVID, we’re online. I get more people through DM’s, email, etc. asking me to match them.”

And how does the church feel about the show?

“My church actually loves it.” Pastor Cal said. “They are so supportive and such an incredible group of people. They tell people about the show. Our church was actually founded on relationships, so it was an easy fit. Our church was founded on positive marriage and positive family.”

Look out for Pastor Cal’s book, “Marriage Ain’t for Punks,” slated to come out next year.

If you are interested in being on “Married at First Sight” and live in Houston, click here to apply.

For more information on MAFS’ current season, click here.

 

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Nigerian Bread Seller Lands Modeling Contract After Photobombing Rapper’s Shoot

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Olajumoke Orisaguna

*27-year-old former bread seller Olajumoke Orisaguna captured the world’s attention a few years ago when a photo of her carrying a massive bag of bread loafs ontop of her head went viral.

She was discovered on the streets of the city of Lagos by international photographer Ty Bello, who was shooting with English rapper Tinie Tempah. Unintentionally, Orisaguna came out in one of the images.

Days later, Bello shared pictures from that shoot on his social media but with interest of finding out who the bread seller was in the photo.

“WHO IS SHE? Everyone has been asking if this lady is a model… She definitely SHOULD be a model… I’ll find a way to track her down somehow. You guys can also help,“ the photographer captioned the post.

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As PEOPLE notes, from that moment on, her life changed forever. In less than a year, Orisaguna managed to sign contracts with recognized agencies. Earlier this year, she wrapped up her tour of South Africa and she also launched a vlog and reality show.

“I never expected this would ever happen to me,” she told CNN. “My friends have told me they saw me on the TV and they are really happy. My parents cannot believe their own child can become such a success.”

In March, she celebrated the one year anniversary of her discovery. In an exclusive interview with Pulse in January, Orisaguna spoke about the people who have been influential in her rise to fame. During the interview, she thanked Azuka Ogujuiba of ThisDay Newspaper, as she was instrumental in Olajumoke’s success story.

Orisaguna, who left her two children and husband to sell bread, is now being offered by a bank to pay for her kid’s education through college.

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** FEATURED STORY **

‘Origin of Everything’ on PBS Sparks Interest with Controversial & Everyday Topics (EUR Exclusive!)

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Origin of Everything

*“Origin of Everything,” available on PBS.org, has been exploring topics since 2017 that run the gamut. The show jumps into a variety of subjects by investigating daily life like the words we use, pop culture, and why we are hooked on technology.

The show does not shy away from controversial topics such as slavery, race and ethnicity, and mass incarceration of African Americans.

Danielle Bainbridge, Ph.D., the host and lead writer of “Origin of Everything,” told the EUR in a recent interview that the series is about making people think beyond the restrictive ways we have been taught to view history.

“It’s a show about our collective story and how we are envisioning history,” Dr. Bainbridge said. ”How do we think about history that includes all of us and just not the figures and facts that we were taught in school. So, it’s a show about under told and underrepresented history. We’re trying to make history feel very present to the people who watch it.”

She continued, “One of the reasons to watch it is if you’re curious about how did we get to our current moment? How do small things such as why do we eat popcorn at the movies or what is the origin of ethnicity and how do these things still impact the way we think about the world?”

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EUR PBS Danielle Bainbridge

Dr. Danielle Bainbridge, host of “Origin of Everything,” available on PBS.org. (Courtesy of PBS)

Deftly equipped to talk about controversial topics, Dr. Bainbridge holds a Ph.D. in African American Studies and American Studies from Yale University and graduated Cum Laude from the University of Pennsylvania with a B.A. in English & Theatre Arts. She is also a faculty member at Northwestern University in Theatre and African American Studies

In early 2017, when she was a graduate student, she was contacted by PBS about working on the show and thought it was a joke.

“When they first reached out to me, I thought it was a hoax,” Dr. Bainbridge said. “I was thinking how would they even know who I am because I was a graduate student? But I think they found me through a since defunct janky website that I had set up. They reached out to me, I auditioned, did a screen test, and a writing sample and after that I was hired to help develop the show.”

Viewers are encouraged to be interactive with the series because it is digital. With instant commentary from the audience, the show knows immediately what viewers think, which for the most part is positive. However, when it delves into controversial subject matters things can get sticky.

“I would say overall people are pretty positive about the series because most of the folks who watch it are longtime watchers who tune in every week for episodes,” Dr. Bainbridge said. “The only exception is if we cover more sensitive topics like, race, gender, or sexuality we will get some pushback. I think that’s just the cost of doing business with open discourse.”

One of the most controversial shows was about the transatlantic slave trade.

“We did one episode on why Europeans enslaved Africans and that was probably our most viewed episode as well as our most critiqued one,” Dr. Bainbridge said. “I think often times if you view yourself as pretty well versed in history from what you learn in school and then you learn something that goes in the opposite direction it can be jarring or for some people upsetting. We think of it as our value or service to our audience to present accurate history or history that doesn’t get told that often so that people can be informed with the whole picture.”

She added that she has an answer for those who point out that Africans sold slaves to Europeans.

“Slavery was not invented with West Africans and Europeans,” Dr. Bainbridge continued. “Some form of enslavement – whether through war, becoming a prisoner of war, or through different systems – goes back to ancient societies from around the world. So, it is not distinct to West Africa or Europe or any other region of the world.”

Dr. Bainbridge added, “But the difference with this particular moment in slavery was that it intersected with capitalism in a way that was very different with slavery that preceded it. People were taken into the system and their children inherited their status as a slave and that is where the differences started to emerge. We have to think about these things as distinct only because the system that existed with chattel slavery was so radically different than the slavery that existed around the world beforehand.”

With the ongoing protests against police brutality, “Origin of Everything” has also tackled the racist beginnings of United States law. Dr. Bainbridge breaks down the discriminatory history by looking at colonialism, slavery, the Jim Crow era, and mass incarceration.

“I decided to write this episode about legal discrimination, and I didn’t have a particular agenda in mind,” she said. “As I started doing the research it was overwhelming. I started to find (material) that just dealt with legal discrimination about black people in this country from its origin to now. I thought it was something that people needed to know.”

“I was never taught in any history class that I took through high school any of the information from that episode. I was taught that things are fair and that a lot of the blame was placed inadvertently or inherently on black communities, impoverished communities, or communities that struggle. When I saw that in some ways the law was stacked against black people and certain other populations, I thought that was important to bring to light. In this moment, people are looking for reliable sources and this could add to the conversation.”

New episodes of “Origin of Everything” are available on PBS.org and the PBS Digital Studios’ YouTube Channel. Join the conversation by visiting Twitter-@PBSOrigin and Instagram-@pbsoriginofeverything.

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